Chapter 2115
The cauldron fell, and Le Yun heard a gasping sound, and then there was no sound again. She turned around and saw a group of monks standing upright, looking more respectful than the ordinary people of Dongchen Continent when they saw the immortals.
He instantly understood the reason and smiled reassuringly: "Don't be nervous. I have set up the spirit gathering array, but there are still two treasures that can be used to guard the palace. There are several items here that have become a bit stronger due to the aura of the spirit gathering array. , when the other two treasures of the palace are in place, the atmosphere of the entire Langhuan Palace will return to be as gentle as the warm sunshine of three springs." "
That's good, that's good." The little girl's golden voice resounded, and the monks were also A lot of the tension was shaken away.
The master of Ayufang patted his chest with a lingering fear on his face: "To be honest, I told you that I wanted to sit here for a while. If the atmosphere is like this in the future, I really don't dare to stay any longer." Others also agreed
. Cultivation requires a relaxed environment, and the atmosphere in the west courtyard is the most pleasant. The central hall just decorated by the little girl is so overwhelming that no one in the body dares to relax. Not to mention cultivation, even sitting and chatting feels stressful.
Such an environment is not suitable for practice. If you practice under pressure, if your consciousness is not focused, you will be easily distracted and obsessed.
After Master Ayubo finished speaking, when he saw the expression on the little girl's face that was hesitant to speak, he felt that it was strange. It prevented people from talking too much, and it was inconvenient to ask a hundred thousand whys, so he suppressed the doubts in his heart for the time being.
The monks showed expressions of relief, and Le Yun silently swallowed back the unfinished words.
There are two prerequisites for her breath to return to the warmth of spring. One is that she is at home, and the other is that she has lived in the east courtyard long enough, and her breath is different from the breath of Langhuan Palace in the east courtyard. Integrated into one, and when those two conditions are met, others will not be pressured by momentum when they come to the east courtyard.
If she is not at home, she has not yet revitalized Langhuan Hall. People who do not have the special "pass" she gave them enter the east courtyard and are rejected by Langhuan Hall, which makes people feel uneasy. Uneasy.
Why do little lolita spend a lot of money to build a paradise?
She didn't have nothing to do or wanted to show off her wealth. She spent huge sums of money and resources to build the Langhuan Palace. She secretly left a lot of backup plans. It was another refuge for the descendants of the Le family and the people who will inherit her mantle in the future. If she is no longer on earth or has passed away forever, no one else can take away the Langhuan Palace. Anyone who takes it by force will be killed.
Langhuan Palace is full of treasures from wood to supplies. Such a precious palace will naturally arouse people's envy. If you don't have the ability, it will be difficult to defend it.
The reason why Le Yun is not afraid of being remembered after her wealth is revealed is because the size of Langhuan Palace is calculated based on the four pillars of her birthday. The styles and patterns of many materials also correspond to her horoscopes. The future of the entire palace Inextricably linked to her destiny.
As long as she doesn't die young, Langhuan Palace will have no worries. If she can live to be more than a hundred years old, Langhuan Palace can survive for more than a thousand years.
It is difficult for a doctor to heal himself, and it is equally difficult for a calculator to calculate for himself. She is good at fortune-telling and can figure out many things, but she cannot calculate how many generations her own descendants and legacy can be passed down.
However, it can be roughly estimated how many generations the descendants of younger brother Leshan can pass on.
In the future, Langhuan Palace can protect the descendants of the Le family from a catastrophe. How far the descendants of the Le family can pass on the inheritance depends on the character of the descendants. Now she is beyond her reach, so she can only leave as much inheritance as possible for the descendants. From generation to generation, future generations can follow the aspirations of their ancestors and build the world with virtue, benevolence, filial piety and loyalty.
If the younger generations of the Le family fail to live up to expectations, do not abide by the family mottos and rules of their ancestors, and commit suicide themselves, then they cannot blame others.
Even though she hopes that the descendants of the Le family will continue to inherit and live and die together with mankind forever, she also knows that some things cannot be forced. What she can do is to do her best to lay a foundation for the descendants of the Le family to live forever, hoping that they will remember For the sake of her ancestor's lifetime merit, she strives to follow in her footsteps and pass on the Le's spirit.
The future is too far away. Even if you take one step or three, you can't miss everything. Le Yun can only work hard to do everything she can.
There are some things that can't be said, so I won't say them.
The master of Ayubo suppressed his doubts in his heart, and shouted and led a group of young people to quickly go out from the east side door of the inner courtyard and move things from the truck parked outside the side door to decorate the back hall of the middle hall.
The back hall is much simpler. There is a long rosewood table against the wall of the Taishi, equipped with the Eight Immortals table and the Taishi chair. Incense tables are placed on both sides of the table. In the free space, there are several Taishi chairs next to the wall. The east and west walls are decorated with Duobao checkers are placed on the wall, and bright grid cabinets and shelves are arranged on both sides of the back door, with tea sets and ancient vases placed on them.
Because the monks were very curious and wanted to see how the Jiude Hall was decorated, after the back hall was decorated, Master Ayu made a bad face and grabbed the little girl and asked her to decorate the Jiude Hall first.
The little Lolita couldn't resist the monks who let the curious cats run around, so she obeyed and fulfilled their wishes.
The main hall is the face of Langhuan Hall and also represents the identity of the owner. It is naturally upright, solemn, rich and solemn. The Jiude Hall is the private reception room and private boardroom. It is designed to be comfortable and leisurely. Golden nan and rosewood are both imperial
. Wood, Xiao Loli prefers rosewood. Jiudetang’s furniture is based on rosewood and is paired with other precious woods to harmonize the aura.
About one meter away in front of the floor-to-ceiling flower cover of the inner room and the small suite at the back, three screens were erected to form a gable-shaped golden nanmu screen. In front of it was a wide throne with carved rosewood and inlaid with jade and mother-of-pearl patterns. Bear enough.
On both sides of the throne, there is a sun and moon fan made of feathers with a golden base and a rosewood pole. Two incense tables are placed one behind the armrest. Emerald phoenix bamboo and a pot of coral tree are displayed on the west side.
The incense table in front is waist-shaped and has a red sandalwood incense tray base on the sides. The east citron tray contains green skin and delicate yellow jade Buddha hands, and the west side is a plate of red jade apples and a bunch of purple jade grapes.
In front of the throne, there is a square table made of bright yellow satin, with a thin wooden board made of agarwood as a cushion. The four sides of the agarwood board are inlaid with flower and bird patterns composed of jade pieces, mother-of-pearl, agate, gold and silver pieces.
There are two ancient-style couches on the west side in front of the throne, which are similar to Arhat couches but have no screen and only have the main seat frame. In ancient times, they were called "four-sided beds".
The beds on the four sides are relatively long and can seat four people side by side. There is also a row of seats on the back. If a long kang table is placed in the middle, it can accommodate about ten people sitting around the couch drinking tea and drinking.
If it comes to winter, you would surround the couch with a cloth curtain and put a brazier underneath, which is what the ancients called a fumigation cage, or a fire bed. The predecessor of a modern heating tool called a "kotatsu" in the south was a fumigation cage. The predecessor of the cage was a couch without a fence.
A long table is placed between the two four-sided beds to display vases or ornaments, and several small tables are placed on the couch.
To the east opposite the couch, there is a row of nine Zen chairs with four square incense tables beside them.
In the middle of the east and west walls, facing each other, are rosewood tables with raised heads and a dragon pattern. In the middle of the long case against the east wall is a bronze tripod more than one foot high. To the north, three white jade bis of different sizes are hung on a rosewood elevated shelf. , to the south is a small white porcelain goblet;
in the middle of the long case against the west wall is a bronze tripod; to the north is a red sandalwood frame hanging a flounder with a small jade hammer; and to the south is a small white porcelain goblet vase .
There is an incense table on each side of the table, a Duobao Pavilion and a Liangqi cabinet are placed opposite to the north; a painting table and a painting vat are placed to the south.
Next to the center pillar, there is a short flower table in the shape of a "pin", with white jade rings facing each other at the top, and jade carvings on both sides. On the south side of the central pillar, there is also a flower table in the shape of a "pin", with bronze deer on the top facing each other. On the side is a porcelain vase imitating Rujia.
Half of the west wall of the outer room is connected to the study room. There is a long desk with an incense table in the middle of the wall with inner panels. In front of the long desk, there is a large round table of rosewood inlaid with jade, and twelve rosewood inlays. Jade embroidered pier.
On the east wall opposite the round table, there is a Duobao Pavilion next to the digit-shaped flower table, and then there is a long red sandalwood table with flower table. In front of the table, there is a red sandalwood Arhat couch that can seat four people.
The southern section of the east wall is equipped with a gauze kitchen connected to the Duobao Pavilion. There is a double door in the middle of the gauze kitchen, and there is a lot of space on both sides. There are long tables to the south and north of the gauze kitchen door. On the long red sandalwood table, there is a involucrata wood frame, with a nine-turn exquisite ball carved in involucrata wood hanging on it. On both sides, there are high-footed rosewood wood carving auspicious animal mounts, and the auspicious animal is holding a jade. Plate, a plate of jade-carved flowers, a plate of jade-carved fruits.
Turn around the small suite behind the screen and place a high cabinet against the east wall to store curtains and other supplies in the living room. A set of desks, an Eight Immortals table, a palace chair, and a piano table are placed against the north window. There is an incense table in the corner.
Jiudetang has relatively few furniture and furnishings.
However, when the little girl placed several large items, the monks felt bad and felt even more pressure!
But they were embarrassed to say it.
The monks, who were embarrassed to say that they were under a lot of pressure, moved things quickly to decorate the study for the little girl. They only hoped that the decoration of the study would make Langhuan Hall less overwhelming.
There are not many supplies in the study. The large bookcase inlaid with granite is placed in the middle of the outer room facing the south window. There is a long desk, Eight Immortals table and palace chairs to the east under the south window of the entrance, and a floor-to-ceiling wooden kang to the west.
In the center of the west wall facing the central hall, there is a long rosewood table with two incense tables. There is a large bronze cauldron on the table, a plate of jade bergamot in the south, and a three-story rosewood frame hanging in the north. There are nine pieces of jade with dragon patterns arranged in ascending order from top to bottom.
A plaque with the name "Zhiweizhai" hangs directly above the long table.
A bookcase is placed to the north of the case, and a Duobao Pavilion is placed between the south of the case and the wooden kang under the south window.
On the north side of the west wall near the central column is a gauze kitchen that is connected to and serves as a partition to the east side. There are strips on both sides of the gauze kitchen door to display the four treasures of the study and porcelain.
There are red sandalwood strips in the middle of the east and west walls of the room, with incense tables on both sides. The rest of the room is filled with bookshelves and Duobao Pavilion. In the middle of the room, there are piano stands, strip bookcases and a picture arranged vertically from north to south. There are chairs and embroidery piers on the east and west sides of the calligraphy and painting desk.
In the small suite in the innermost room, a floor-to-ceiling wooden kang is placed against the east wall, and a floor-to-ceiling railing cover is added vertically to divide the kang into a small warm pavilion with the head facing north and south. Near the north window, a large table with an upturned head is placed by the window of the warm pavilion, and to the west of the desk There is a bright cabinet, and next to it are the incense table, a long picture table, a piano stand, and a small and long antique shelf.
Entering from the back door, you face a picture screen. Behind the screen, there is a table next to the railing of the floor-to-ceiling flower cover. There is a jade rockery on the table, and a washbasin stand is placed against the west wall.
Some furniture was placed in the study, and the overwhelming aura was indeed a little weaker.
When the little girl directed someone to place a jade bell stand with an auspicious animal on top of a red sandalwood crossbar, about sixty centimeters past the flower cover when entering the study from Jiude Hall, the atmosphere of the entire study and Jiude Hall suddenly changed. Peace.
The jade bell frame, which can be used as a screen and as an indoor display, has four floors. The prison ox, who is most fond of music among the nine sons of Longsheng, is the support column. The gold prison ox is squatting, with its claws raised high to support the horizontal bar.
There is a jade jade hanging on the top single cell of the bell frame. There is a jade tree in the center above the horizontal bar. There are several bees and butterflies playing on the tree, and two phoenixes and phoenixes sing loudly.
Counting from top to bottom, there are two cells on the second floor, three cells on the third floor, and four cells on the bottom floor. Each cell has exactly nine chimes. The size of the jade chimes increases from top to bottom. The smallest one is only as big as a small teacup. , the largest one is only 19.7 centimeters in diameter.
Although there are 81 jade chimes, because the jade chime frame is linear and the longest horizontal bar is only 2.9 meters, the jade chimes are all made of mutton-fat jade. The jade is white and flawless, warm and delicate, with a gentle and soft luster.
The master of Ayubo stared at a set of jade chimes for a long time before pointing at the little girl and yelling angrily: "You, you... you are a prodigal! You don't put such precious jade chimes in the main hall, but put them in the study as a screen. ?"
There is also a set of jade chimes on the east side of the main hall, but that set is white jade, and the chimes in the study are made of mutton-fat jade. The mutton-fat jade chimes are full of luster, and before they make any sound, I seem to hear a "ding" in my ears. , the lingering sound lingers in my ears.
Head Li turned his head and looked out the window. If Master Ayu picked up the little girl again by her collar, he could pretend he didn't see her!
"I spend a lot of time in the study, so of course it should be placed in the study. Besides, a majestic bronze chime should be placed in a place like the main hall. This small and cute bell is naturally suitable for the study. I tell you all the time, if you yell again Yell at me, and I won't invite you and your little disciples to Jiudetang for tea in the future."
"You..." Master Ayubo originally wanted to yell a few more times, but he swallowed his voice in an instant, as the little girl is used to. He threatens people but always hits his weak point every time.
The monks looked at Mr. Hao who was being strangled by the neck, and looked up at the sky silently. Didn't you always tell the little girl not to be so arrogant? But in the end, everything stopped just after it started?
Mr.
The master of Ayubo blew his beard and stared at the air, then stretched out his hand to lift the little girl's back collar and ran away: "My old man has been heartbroken and needs to catch his breath. Let's stop decorating the house and plant trees!" "Ah
! Ah, you keep treating me like a little chicken again and depriving me of a jar of osmanthus wine." "
You dare to deprive me of my wine. After you plant a tree, I will tie you to the tree and hang you on a swing. "
If you dare to let me dry the bacon, I will invite Mr. Ren and his friends to a tea party in the future, and your little disciple will be excluded." Anyway, in one sentence, if Master Ayu tormented her, she would torment his little disciple.
"Little girl, do you understand that one person is responsible for his actions? Can't you just retaliate against me?" "
A man is responsible for his own actions. I am a little girl, so I don't need to follow the rules of a gentleman." "
Your father is obviously so loyal, why did you give birth to this child? You are such a bun with black sesame filling..."
Ayubozhu is so angry. The little girl looks soft and cute, delicate and weak, but her temper is hard and smelly. He only occasionally lifts her and shakes her to play with her. For a while, she threatened him with his disciples every time.
(End of chapter)